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I often draw in response to the surface, and my surroundings, borrowing lines and images from my environs in an effort to enable the work to create itself, with me as the hand and mind through which it passes. Work is made in layers, and I will frequently use a found object as my surface for a painting, drawing, fresco, or assemblage. The density that I favor reflects an overloaded experience. Drawing for me is about rhythms, repetitions that build a narrative, the forms lately have spun into abstractions based on emotions, patterns, movement and direct response based on instinct. These have been presented as room drawings, where the viewer experiences the work by walking through it. Consequently the pieces become part of the architecture in which they exist, like room sculptures they grow out of the walls using line and objects to carry their weight.